In French composer Claude DeBussy’s Pelleas et Melisande, while out hunting Prince Golaud of Allemonde (Iowa bass-baritone Kyle Ketelsen) stumbles upon...
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26 March 2023
I honestly believe that Cirque du Soleil’s official motto is “gravity is for sissies” – or, if it isn’t, it really should be. This psychedelic circus, which...
12 March 2023
I had second thoughts as I braved an atmospheric river of rain, using my periscope to drive on the freeway to Downtown L.A.’s Music Center to hear George...
27 February 2023
This February, two major film institutions – the Pan African Film Festival and a movie museum – in Los Angeles, the world capital of cinema, honored Black...
22 February 2023
We live in an uncertain age wherein the very essence of truth is not only being questioned, but is literally under assault. Not one but two screen versions...
15 February 2023
Rogue Machine’s very first musical, Diane Frolov’s wacky Come Get Maggie, is simply out of this world. And Judith Borne must be the...